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❮Read❯ ➱ Report an issue ➵ Author Chris Thompson – African-american-literature.co Felt provides a nonlinear look at the engagement of the postwar avant garde with Eastern spirituality a context in which the German artist Joseph Beuys appears as an uneasy shaman Centered on a highlyFelt provides a nonlinear look at the engagement of the postwar avant garde with Eastern spirituality a context in which the German artist Joseph Beuys appears as an uneasy shaman Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama arranged by the Dutch artist Louwrien Wijers Chris Thompson explores the interconnections among Beuys the Fluxus movement and Eastern philosophy and spiritual practiceBuilding from the resonance of felt the fabric in both Tibetan culture and in Beuyss art Thompson takes as his point of departure Deleuze and Guattaris discussion in A Thousand Plateaus of felt as smooth space that is in principle infinite open and unlimited in every direction its structure determined by chance as opposed to the planned woven nature of most fabrics Felt is thus seen as an alternative to the model of the network felts anarchic form is not reducible to the regularity of the net grid or mesh and theit is pulled tweaked torn and agitated the greater its structural integrity Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant garde At the same time Thompson demonstrates that it is sometimes the failures of thought the disappointing meetings even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life art and thought Thompson explores both the well known engagement of Fluxus artists with Eastern spirituality and theelusive nature of Beuyss own late interest in Tibetan culture arriving at a sense of how such noncausal interactionsinterhuman intriguecreate culture and shape contemporary art history.

Felt provides a nonlinear look at the engagement of the postwar avant garde with Eastern spirituality a context in which the German artist Joseph Beuys appears as an uneasy shaman Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama arranged by the Dutch artist Louwrien Wijers Chris Thompson explores the interconnections among Beuys the Fluxus movement and Eastern philosophy and spiritual practiceBuilding from the resonance of felt the fabric in both Tibetan culture and in Beuyss art Thompson takes as his point of departure Deleuze and Guattaris discussion in A Thousand Plateaus of felt as smooth space that is in principle infinite open and unlimited in every direction its structure determined by chance as opposed to the planned woven nature of most fabrics Felt is thus seen as an alternative to the model of the network felts anarchic form is not reducible to the regularity of the net grid or mesh and theit is pulled tweaked torn and agitated the greater its structural integrity Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant garde At the same time Thompson demonstrates that it is sometimes the failures of thought the disappointing meetings even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life art and thought Thompson explores both the well known engagement of Fluxus artists with Eastern spirituality and theelusive nature of Beuyss own late interest in Tibetan culture arriving at a sense of how such noncausal interactionsinterhuman intriguecreate culture and shape contemporary art histor.

report pdf issue ebok Report an book Report an issue PDF/EPUBFelt provides a nonlinear look at the engagement of the postwar avant garde with Eastern spirituality a context in which the German artist Joseph Beuys appears as an uneasy shaman Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama arranged by the Dutch artist Louwrien Wijers Chris Thompson explores the interconnections among Beuys the Fluxus movement and Eastern philosophy and spiritual practiceBuilding from the resonance of felt the fabric in both Tibetan culture and in Beuyss art Thompson takes as his point of departure Deleuze and Guattaris discussion in A Thousand Plateaus of felt as smooth space that is in principle infinite open and unlimited in every direction its structure determined by chance as opposed to the planned woven nature of most fabrics Felt is thus seen as an alternative to the model of the network felts anarchic form is not reducible to the regularity of the net grid or mesh and theit is pulled tweaked torn and agitated the greater its structural integrity Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant garde At the same time Thompson demonstrates that it is sometimes the failures of thought the disappointing meetings even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life art and thought Thompson explores both the well known engagement of Fluxus artists with Eastern spirituality and theelusive nature of Beuyss own late interest in Tibetan culture arriving at a sense of how such noncausal interactionsinterhuman intriguecreate culture and shape contemporary art histor.

eBook african american literatureco ¶ Report an issue ePUB Ý Report an  Epub

eBook african american literatureco ¶ Report an issue ePUB Ý Report an Epub

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